writing

In this episode we’re joined by Johanna Hedva, a Korean American writer, artist, and musician who was raised in Los Angeles by a family of witches, and now lives in LA and Berlin.

This month we’re joined by Daisy Hildyard, the author of two novels – Emergency (2022) and Hunters in the Snow (2013) – and one work of nonfiction, The Second Body (2017).

This month we retreated from the audio realm to sit down with Ansgar Allen for minor literature[s]. We discuss his fiction, the processes behind it, and the creative and critical power of irreverence.

This month marks the fifth anniversary of Unsound Methods – thank you to everyone who’s joined us along the way, and hello to any new arrivals… In this episode we speak to Ewan Fernie and Simon Palfrey about the writing of their collaboratively composed novel ‘Macbeth, Macbeth’ (available from Boiler House Press, here: https://www.boilerhouse.press/product-page/macbeth-macbeth-by-ewan-fernie-simon-palfrey)  ‘Macbeth, Macbeth’ …

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In a slight shift from our literary fiction focus, we caught up with writer and script editor Jenny Landreth – one of the driving forces behind the brilliant children’s animated TV show ‘Hey Duggee’. Having both become fathers only weeks apart in the summer of 2018, Hey Duggee was one of the most joyful discoveries …

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In this episode with chat with Etgar Keret, writer of short stories, comics, a children’s book and a memoir. Etgar’s books have been published in fifty languages and his writing has appeared in The New York Times, Le Monde, The …

Our guest in this episode is Australian writer Daniel Davis Wood, author of Blood and Bone (2014) which won the Viva La Novella Prize and At the Edge of the Solid World (2020), which was shortlisted for the Miles Franklin Award.

This month we speak to writer and translator Claudia Durastanti. We cover the importance of travel and geography in writing, mapping fictional spaces, translation and the overlap of metaphor between languages.

In episode 50, we speak to poet Miguel Cullen, whose work has involved integrating sound chips and video-screens into bound collections, raising some interesting blends of form.

This month we speak to Richard Beard, author of six novels including Lazarus is Dead, Dry Bones and Damascus, which was a New York Times Notable Book of the Year.